Michael James – Producer/Mixer (New Radicals, Hole, L7, Edwin McCain, Robben Ford, Far, A.J. You have successfully taken all the guesswork out of high-fidelity reamping. The only difference I could hear was the from the AD/DA conversion, not the Redeye 3D, and the difference was so subtle that it was insignificant.
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Right away I learned that 22 dB of gain on the mic preamp was the magic number to make the guitar amp react as if I was playing it with nothing else in the chain.
Reamp recording studios pro#
While playing guitar with Pro Tools in record-ready input, it was very easy to compare the sound of the live signal against the Pro Tools signal. “”Within five minutes of connecting it, I had the Redeye 3D Phantom totally dialed in.
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This transformer was chosen for its sonic character- istics and is made with the same core material and winding technique as the legendary UTC transformers found in many classic pro audio devices. The heart of the original Red Eye was a Little Labs custom wound transformer. This also assures you a re-amped guitar sound that will be exactly what was heard when laying down the track.
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This simple way of listening thru the chain (re-amp mode) and being able to bypass the mic pre and DAW or tape machine in the chain (DI mode) makes level adjustments a snap. In re-amp mode the instrument / re-amp out on the front of the Redeye 3D signal comes from the line level output of the DAW or tape machine (converted to HI z guitar level signal) to feed your guitar amp. In DI (direct box) mode the instrument / re-amp out on the front of the Redeye 3D works as a thru signal so you can simultaneously feed your guitar amp while supplying a signal from the rear xlr to your mic pre and DAW or tape machine. More people are re-amping now than ever before, and we at Little Labs know re-amping! We made this new major Redeye revision because we wanted to make sure we continued to make the best sounding, most flexible, easiest to use, and reasonably priced re-amping and direct box product available.įor easy accurate re-amping the Redeye 3D lets you listen thru your whole recording chain, from Redeye 3D direct box, to mic pre to DAW (or tape machine), to Redeye 3D Re-amp, to your guitar amp. The Red Eye 3D phantom is the new improved major revision of the popular Little Labs Redeye direct box / re-amp box. Here we have the Redeye reamp/DI boxes, and the PCP – there’s no end to the problems in the studio they resolve, and I still discover fun new ways of using them.”” – Luke Pickering (The Church Studios). Little Labs Redeye 3D Passive di re-amp expansion splitter